Menu>Press
DE
X
X
Menu>Newsletter

Mariana Castillo Deball
Amarantus

29.1.–30.5.21

The museum as such fascinates Mariana Castillo Deball (b. 1975, Mexico City, Mexico) as a place where we encounter strange and sometimes disturbing objects. In her artistic work, Castillo Deball follows their stories in order to gain a new perspective on and a deeper understanding of cultural, temporal and spatial contexts. She also questions the museum narrative that overlies the objects. To this end, she researches in libraries and archives, seeks cooperation with scientists, and uses the methods of archaeology, ethnography and historical research. In large-scale installations, sculptures, videos, photographs, prints and (artist) publications, the artist translates her findings into her own personal artistic language. With a view to the present day, she visualizes decisive moments in cultural history and enables us to experience our alienation from the things she has been examining.

The title of her exhibition “Amarantus” refers to the plant amaranth, sometimes known as foxtail, which is commonly found all over the world. Amaranth seeds are one of the most important foodstuffs in Mexico and have long been used in religious rituals, which is why the pseudo-cereal was banned temporarily by Spanish immigrants. The Greek meaning of the word/title conveys the idea of a flower that never wilts. It is in a similar way that Mariana Castillo Deball understands the objects in her exhibition and the notion of a conceivable museum that permits different readings of cultural knowledge and reveals fresh connecting threads between objects.

The exhibition at MGKSiegen is the first solo presentation in Germany covering the Mexican artist's complete œuvre. Works from the last 15 years are being presented in 14 rooms. Among them are many current installations newly conceived and produced for the Siegen exhibition. A tour of the rooms unfolds a well-considered, impressive account of Castillo Deball's work. A new issue of Ixiptla will be published parallel to the exhibition, as well as an accompanying booklet. This artistic-scientific journal has been published by Castillo Deball in partnership with various institutions since 2013 and explores individual aspects of her artistic research in greater depth.

Mariana Castillo Deball has been awarded internationally renowned prizes, including the Prize of the National Gallery, Berlin (2013), the Zurich Art Prize (2012) and the Ars Viva Award (2009). She has participated in numerous major exhibitions and biennials, including the Sharjah Biennial (2017), Berlin Biennale (2014), dOCUMENTA (13), Kassel (2012) or the Venice Biennale (2011). The artist's most recent solo exhibitions include Modern Art Oxford, England (2020), Museum Monash University Museum of Art, Melbourne and New Museum, New York (both 2019). Furthermore, at the San Francisco Art Institute (2016), at Hamburger Bahnhof - Museum für Gegenwart, Berlin (2014), the CCA: Centre for Contemporary Arts, Glasgow, Scotland and the Chisenhale Gallery, London (2013). She has been teaching as a professor of sculpture at Münster Academy of Art since 2015.

Supported by Ministry of Culture and Science of the State of North Rhine-Westphalia.

Download

Please select the images, videos and audio files for download. These press materials have been copyright cleared for media reproduction in the closer context and coverage of our exhibitions and events. The images shall be used in their entirety, reproduced in colour and not be cropped, super-imposed, or manipulated in any way. Mentioning credits and copyrights is required. We would be pleased about a copy of your publication.

Mariana Castillo Deball, Cronotopo, Installation view Musée régional d’art contemporain Languedoc-Roussillon, Sérignan, 2015, Courtesy Mariana Castillo Deball

Mariana Castillo Deball, My flowers will not end, My singing will not end (…), Installation view Preis der Nationalgalerie für Junge Kunst, Hamburger Bahnhof – Galerie für Gegenwartskunst Berlin, 2013, Courtesy Mariana Castillo Deball, Photo: David von Becker

Next